北京第二外国语学院学报 ›› 2015, Vol. 37 ›› Issue (2): 64-.

• 外国文学研究 • 上一篇    下一篇

莱辛的市民悲剧观

袁克秀   

  1. 北京第二外国语学院德语系 北京 100024
  • 收稿日期:2014-11-20 出版日期:2015-02-28 发布日期:2018-03-20
  • 作者简介:袁克秀(1972— ),北京第二外国语学院德语系讲师,德语文学硕士,研究方向:德语文学。
  • 基金资助:
    本项成果得到北京第二外国语学院2014年科研基地建设——科技创新平台——外国语言文学学科国际化建设促进平台项目(项目代码:395013)的资助。

On Lessing’s Theory of Bourgeois Tragedy

Yuan Kexiu   

  1. Beijing International Studies University,Beijing 100024,China
  • Received:2014-11-20 Online:2015-02-28 Published:2018-03-20

摘要:  莱辛关于市民悲剧的论述,集中在《关于悲剧的通信》和《汉堡剧评》中。为进一步加深对莱辛市民悲剧主要观点的理解,本文对两书中的基本观点进行了梳理和分析。莱辛的悲剧构想中最核心的概念是同情,同情既是一种情感反应又是一种道德力量,它最终会使观众得到道德上的改善。同情的产生有赖于观众对悲剧主人公的认同感,舞台上塑造的人物与观众相似并且情节的发展真实可信才会使观众产生认同。莱辛对亚里斯多德的恐惧和怜悯概念进行了重新解释并认为两者是悲剧实现其教化作用的手段。  

关键词: 莱辛; 市民悲剧; 同情; 恐惧和怜悯; 认同

Abstract: Especially in Briefwechsel über das Trauerspiel and Hamburgische Dramaturgie Gotthold Ephraim Lessing expounds histheory of bourgeois tragedy with the core of Mitleid(sympathy).For a further understanding of Lessing’s Theory of Bourgeois Tragedy,a survey and analysis of the main viewpoints are carried out in this paper.The sympathy for the tragedy protagonists,as an emotional reaction and a moral potential,leads the audience to the moral improvement.Only through the identification of the audience with the tragedy protagonists can the sympathy arise and this identification is mainly dependent on the similarity of the audience to the tragedy protagonists and the probability of the plot.Basing his theory on a new interpretation of Aristoteles concepts eleos and phobos,Lessing argues that they are both methods of moral improvement.

Keywords: Lessing; Bourgeois Tragedy; Mitleid; eleos and phobos; identification