关键词: 柯勒律治; 《风弦琴》; 同一性; 和谐整一

Abstract: As Coleridge’s “the most favorite” “New Style” poem, The Eolian Harp, with its mild-wild images of nature, deep and profound reflections on life and sincere and rational soul meditation, demonstrates the deep and sophisticated developing context of his poetic thought “Oneness” in his life experience. Oneness is the core of Coleridge’s poetics. Nevertheless, the lack of this reference from critics both at home and abroad leads to the failure of an objective understanding of his poetry, especially his conversation poems. The article here, from the perspectives of new historicism and eco-criticism, rereads and analyzes the natural images and religious musings in The Eolian Harp, trying to observe the inter-textual relationship between history and the development of Coleridge’s poetics and thus interpret objectively the modern cological value and significance in his poetic “Oneness”. This early conversation poem not simply expresses Coleridge’s expectation of a blessed love and marriage, but the images of nature that have rich implications in thinkingon the Eolian Harp, superficially at odds with each other,ultimately in a perfect harmony in their true sense. The poet here is awakened from “the shapings of a regenerated mind” and ultimately redeemed by God’s grace. The poem fully embodies the significant advance of Coleridge’s poetic thought “Oneness”: to return from Unitarianism to Trinity religiously, to give a selfcriticism of the radical thoughts politically, and to deepen the conception of “Unity” of all things on earth in natural philosophy.

Keywords: Coleridge; The Eolian Harp; oneness; harmony and unity