Abstract: The paper intends to analyze how the three main characters in Oscar Wilde’s The Picture of Dorian Grey correspond to three “I”s of Wilde and reflect his aestheticism. The authoress firstly concludes the personalities of three characters, and points out that through three characters Wilde synthesizes his aesthetic morality: on one hand, he advocates amorality in aestheticism, insisting on the individuality of art, and opposes Victorian morality; on the other hand, as a Catholic, he is deeply influenced by Catholic conventional morality.

Keywords: Wilde; Picture of Dorian Grey; aestheticism; morality

摘要： 本文意在探讨英国作家奥斯卡• 王尔德小说《道林• 格雷的画像》中的三个主要人物如何对应王尔德“三个不同的自我”并反映他的唯美主义艺术观和道德观。笔者先归纳了三个人物的特点，指出王尔德通过三个“自我”的描写，统一了其唯美主义的道德观：一方面，他坚持艺术的独立性的非道德，反对维多利亚时代庸俗道德观；另一方面，他持有天主教的传统道德观。

关键词: 王尔德, 《道林&bull, 格雷的画像》, 唯美主义, 道德